ORIGINAL ART & FRAMED PRINTS

This page is for artist printed images, framed and glazed prints, those in large mounts and also original artworks. They will include etchings, aquatints, lithographs, woodcuts and engravings on wood, copper and steel and also drawings, watercolours and oil paintings. Note: the headline dimensions are the overall dimensions of frame, mount or sheet as applicable.

PLEASE DO NOT USE THE ADD TO CART BUTTONS FOR THIS PAGE BUT CONTACT ME USING THE EMAIL BELOW TO AGREE THE SHIPPING COST AS FRAMED AND GLAZED ITEMS MAY BE SENT BY ROYAL MAIL SPECIAL DELIVERY FOR SAFETY. VERY LARGE ITEMS MAY BE SENT BY COURIER. COLLECTION OF SUCH ITEMS IS POSSIBLE & GETS AN AUTOMATIC 15% DISCOUNT.

Framed and glazed items will not be sent out of the UK. Prints may be removed from frames on request and sent worldwide.

Email: don@theoldmapman.com

Some of the photographs of glazed items show reflections and stray colours for which I apologise!

Artists include: FREDERICK CHRISTIAN LEWIS SNR (1779-1856), was an eminent painter, etcher, aquatint and stipple engraver. Lewis transformed numerous natural history paintings into aquatints. His superlative skills as an engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, which greatly influenced landscape painting. Apart from the River Dart volume he produced a similar volume on the Exe.

ROBERT HILLS (1769-1844). English Painter & Etcher. He exhibited six or seven drawings annually at the Royal Academy and was a member of the Society of Water-colours. His favourite subjects were cattle, sheep, donkeys, pigs, horses and above all deer. The British Museum holds the artist's collection of his own etchings, over 1200 of the finest impressions and proofs.

The list of 138 items in category ORIGINAL ART & FRAMED PRINTS has been split into 3 sections. This is section 2.

> Section 1 > Section 2 > Section 3

Ireland - County Antrim. Carrick-a-Rede Engraved by John Cousen (1804-1880) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 31 x 27.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40096 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Dunkerry Cave Engraved by Robert Brandard (1805-1862), from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 32 x 28.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40092 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Dunluce Castle Engraved by John Cousen (1804-1880) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 31 x 27.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40095 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Dunseverick Castle Engraved by Robert Wallis (1794-1878) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 32 x 28.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40094 : £12 Return to Antique Prints & Engravings Index
Ireland - County Antrim. Fairhead Engraved by Robert Brandard (1805-1862), from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 31 x 27.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40099 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Kenbane Castle Engraved by Charles Richardson (fl.1835-1842) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 32 x 28.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 155 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40093 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Pleaskin Cliff, near the Giants Causeway Engraved by Joseph Clayton Bentley (1809-1851) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 31 x 27.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40098 : £12 Return to Antique Prints & Engravings Index	Ireland - County Antrim. Scene on Giants Causeway Engraved by Robert Wallis (1794-1878) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 32 x 28.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed. with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Larger image Ref 40091 : £12 Return to Antique Prints & Engravings Index
Ireland - County Cork. Blarney Castle Engraved by Thomas Dixon from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842). 1840-42 - 33.5 x 28.5 cm Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled dark green mount. Mount window 170 x 115 mm; frame overall 335 x 285 mm. Looks to be in good condition but not examined out of the frame. Larger image 1 : Larger Image 2 Ref 40102 : £12 Return to Antique Prints & Engravings Index	Ireland - County Cork. Blarney Castle. Engraved by J Walker from an original drawing by J Nixon, Esqr. Published Janry 1st 1794 by J Harrison & Co. N. 18 Paternoster Row, London. 1794 - 30 x 25.5 cm Original eighteenth century print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 185 x 135 mm; overall size including frame 300 x 255 mm. Appears to be in good condition but not examined out of the frame which has noticeable damage at the lower right corner. Could be removed from frame which would lower shipping charge. Larger image Ref 40113 : £10 Return to Antique Prints & Engravings Index	Ireland - County Galway. Pass of Salruc. Hand coloured antique steel engraved print by Edward Radcliffe, (1809-1863), engraver. After E W Fairholt s drawing from the original picture by Thomas Creswick (1811-1869). Published by Jeremiah How, 132 Fleet St., London between 1820 & 1870. Mid C19th - 22.5 x 27 cm In ivory and gold frame with ivory ruled mount. Mount window size: 280 x 205mm, frame overall: 225 x 270mm. Appears in excellent condition but not examined out of the frame. Larger image Ref 37764 : £9 Return to Antique Prints & Engravings Index	Ireland - County Limerick. Limerick. Old Castle & Johns Bridge. Published according to Act of Parliament, by Geo Kearsley, 46 Fleet Street, July the 2nd 1780. F Sandby, RA pinxt ; T Cook sculp. 1780 - 31 x 27 cm Delightful original eighteenth century print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 195 x 155 mm; overall size including frame 310 x 270 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40116 : £13 Return to Antique Prints & Engravings Index
Ireland - County Londonderry. Londonderry. T M Baynes. W Watkins. c1863 - 27 x 22.5 cm 19th Century view of the Carlisle Bridge over the River Foyle, Derry, or Londonderry City from the east looking west, County Derry, Northern Ireland. In 1863 the steel Carlisle Bridge was erected when the old wooden bridge was destroyed after being hit by an iceberg in 1862. Original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 165 x 120 mm; overall size including frame 270 x 225 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40111 : £12 Return to Antique Prints & Engravings Index	Ireland - Dublin (Harbour with the Customs House). Engraving by S Davenport London Published by Thomas Kelly 17 Paternoster Row in New and Universal English Dictionary, 1843 - 30.5 x 25 cm Steel engraved original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. The harbour is crammed with shipping including two paddle steamers. Mount window 185 x 130 mm; overall size including frame 305 x 250 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40117 : £13 Return to Antique Prints & Engravings Index	Ireland - Dublin. College Street. Drawn by Geo Petrie, Esq. RHA, engraved by B Winkles. Fisher, Son & Co, London. 1832 - 27 x 22 cm Original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 160 x 120 mm; overall size including frame 270 x 220 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40110 : £11 Return to Antique Prints & Engravings Index	Ireland - Dublin. Sackville Street. Nelson s Pillar. Fisher, Son & Co, London. Geo Petrie, Esq. RHA, R Winkles. c1830 - 21.5 x 26.5 cm Original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 110 x 175 mm; overall size including frame 215 x 265 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40112 : £12 Return to Antique Prints & Engravings Index
Ireland - Dublin. The Customs House. Robert Brandard, Thomas Creswick 1871 - 21.5 x 26.5 cm Original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 115 x 165 mm; overall size including frame 215 x 265 mm. Appears to be in good condition save for a few small isolated spots in the blank areas but not examined out of the frame. Larger image Ref 40114 : £11 Return to Antique Prints & Engravings Index	Ireland - Dublin. The Four Courts. Robert Brandard, Thomas Creswick 1871 - 21 x 26 cm Original antique print with later hand colouring in a Hogarth frame and a bevelled ivory mount. Mount window 105 x 155 mm; overall size including frame 210 x 260 mm. Appears to be in good condition but not examined out of the frame. Larger image Ref 40115 : £10 Return to Antique Prints & Engravings Index	Isle of Wight. Carisbrooke, entrance to the village from Newport and the castle keep. Drawn & Engraved by George Brannon 1820 - 41 x 33 cm Original antique hand coloured engraving framed and glazed with an ivory bevel cut mount. Mount window 215 x 150 mm. The frame is black & gilt in very good condition. Not examined out of the frame. Larger image 1 : Larger Image 2 Ref 39702 : £18 Return to Antique Prints & Engravings Index	Isle of Wight. Newport. Drawn & Engraved by George Brannon 1830 - 35 x 27 cm Original antique hand coloured engraving framed and glazed with a hand-ruled wine colour bevel cut mount. Mount window 245 x 175 mm. The Hogarth frame is black & gilt in good condition; the mount is a little faded and has a very slight matt burn around the margins. Not examined out of the frame. Larger image 1 : Larger Image 2 Ref 39701 : £20 Return to Antique Prints & Engravings Index
Italian Sea Coast Inscribed Montullo . C19th, 2nd half - 30 x 20 cm Original antique gouache painting of the Amalfi Coast (?). In antique but marked gold bevelled mount. Mount window 210 x 95 mm; mount approx 300 x 200 mm. Larger image 1 : Larger Image 2 Ref 39974 : £15 Return to Antique Prints & Engravings Index	Italian Sea Coast Was a pair with another similarly sized work inscribed Montullo. C19th, 2nd half - 30 x 20 cm Original antique gouache painting of the Amalfi Coast (?). In antique but bubbled gold bevelled mount. Mount window 210 x 95 mm; mount approx 300 x 200 mm. Larger image 1 : Larger Image 2 Ref 39975 : £15 Return to Antique Prints & Engravings Index	Italy. Cathedral at Bari, Southern Italy Sydney Maher ?? 1920 - 28 x 53.5 cm Original etching in a bevelled ivory mount. Signed by the artist in pencil in the margin. Mount window 175 x 365 mm. Working Proof. Larger image 1 : Larger Image 2 : Larger Image 3 Ref 39494 : £10 Return to Antique Prints & Engravings Index	Kite Rev. F. O. Morris - A History of British Birds. Late C19th - 26 x 33.5 cm Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall! Larger image 1 : Larger Image 2 Ref 39205 : £12 Return to Antique Prints & Engravings Index
Lake District. Ullswater. Henry G. Walker. Signed in Pencil. Early 20th century - 48 x 37 overall cm Landscape with figures including shepherd, his collie and a flock of sheep. Original coloured Soft Ground Etching. Paper a little toned. Framed and glazed. Bevelled mount with gold hand ruling. Frame 480 x 370mm; engraved area 320 x 205mm. Not examined out of frame. Gilt frame has tiny chip from one corner and some marks from its age. Henry George Walker, 1876-1932, was born in Birmingham and attended Birmingham Municipal School of Art between 1897 and 1901. He owned his own design studio in 1907 and produced many polychrome and monochrome etchings in the early 1920s. Larger image 1 : Larger Image 2 Ref 39786 : £36 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 10 I saw your landing, he said. Delightful, quite delightful. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39836 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 12 I rolled the little animal on his back and then laughed. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39838 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 13 I call him Digger because he s dug large holes in the garden ever since his puppy days. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39839 : £39 Return to Antique Prints & Engravings Index
Larry: Herriot Chapter 14 the big cow .lowered her head and gently nudged him back in again. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39840 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 17 I was whispering lovely things into Lydia s ear, the next second I grabbed her, threw her off the couch and out of the French window. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39843 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 18 The vaccine they use for babies is made from the cow pox virus. You carried it from the baby to the cow. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39844 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 19 I looked around me at the heap of boots, the piled mounds of shirts .proof that the RAF was finding me a bit of a problem. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39845 : £39 Return to Antique Prints & Engravings Index
Larry: Herriot Chapter 20 .a man pushing a pram .on a lonely moorland road, the sight merits a second glance. Especially when the pram contains a large dog. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39846 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 21 I located it at last. Just like the door of an ordinary house with a faded wooden sign hanging above it. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39847 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 24 I took a fresh grip on my cardboard case, turned towards the exit from the square and set off, left-right, left-right 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39850 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 5 For a long time little Mrs Pilling was going to give her husband pure hell. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39831 : £39 Return to Antique Prints & Engravings Index
Larry: Herriot Chapter 6 Len was lying unconscious face down across the cow s body. 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39832 : £39 Return to Antique Prints & Engravings Index	Larry: Herriot Chapter 9 He barked, Mr Herriot! Joshua barked! 1977 - 21 x 24 cm Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm. Larger image Ref 39835 : £39 Return to Antique Prints & Engravings Index	Lincoln from the Castle. A finely engraved early 19th century view of Lincoln Cathedral, as seen from the castle c1836 - 24 x 21.5 cm Original antique steel engraving with later hand colour which was drawn by Thomas Allom and engraved by F. J. Havell, and published in Thomas Allom's The Counties of Chester, Derby, Nottingham, Leicester, Rutland, & Lincoln Illustrated. (London: Fisher & Son, 1836 / 1837). c.1836. Gilt frame with bevelled mount. Multiple hand rulings with wash. Mount window 130 x 100 mm. Frame 240 x 215 mm overall. Looks to be in very good condition but not examined out of the frame. Larger image 1 : Larger Image 2 Ref 39998 : £12 Return to Antique Prints & Engravings Index	Little Owl Rev. F. O. Morris - A History of British Birds. Late C19th - 26 x 33.5 cm Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall! Larger image 1 : Larger Image 2 Ref 39215 : £12 Return to Antique Prints & Engravings Index
Loch Katrine Henry G. Walker. Signed in Pencil. Early 20th century - 48 x 37 overall cm Landscape with the loch including shepherd with his collie driving a flock of sheep. Original coloured Soft Ground Etching. Paper a little toned. Framed and glazed. Bevelled mount with double gold hand ruling. Wooden frame 480 x 370 mm; engraved area 322 x 208 mm. Not examined out of frame. Henry George Walker, 1876-1932, was born in Birmingham and attended Birmingham Municipal School of Art between 1897 and 1901. He owned his own design studio in 1907 and produced many polychrome and monochrome etchings in the early 1920s. Larger image 1 : Larger Image 2 Ref 39987 : £36 Return to Antique Prints & Engravings Index	London, St Luke s Hospital, Old Street Road. Drawn & engraved by T Higham for the Walks through London. Published by W Clarke, New Bond Street, Apr 1 1817. 1817 - 18.5 x 18 cm Original antique print with later hand colouring. Gilt frame, very slightly scratched with pale grey bevelled mount. Mount window 95 x 75 mm; overall size including frame 185 x 180 mm. Appears to be in good condition but not examined out of the frame. Larger image 1 : Larger Image 2 Ref 40122 : £9 Return to Antique Prints & Engravings Index	London. Bridge Street, Blackfriars. Lively scene with several carriages and many people strolling near the obelisk that was put there by the Blackfriars Bridge committee, who were responsible for the layout of St George's Circus. 1812 - 32 x 26 cm Aquatint with original colour. No. 41 of R. Ackermann’s Repository of Arts etc., London Collection, Published 1st May 1812 at 101 Strand, London. Gilt frame with bevelled mount. Mount window 205 x 135 mm. Frame 320 x 260 mm overall. Framed and glazed. Good condition. Couple of spots in the sky. Larger image 1 : Larger Image 2 Ref 39991 : £30 Return to Antique Prints & Engravings Index	London. Greenwich Hospital. Hand coloured steel engraving after the painting by George Chambers, engraved by J.B. Allen. Published by James S. Virtue. c1859 - 39 x 30.5 cm In Hogarth frame and gold ruled bevelled mount. Mount window size: 280 x 205mm, frame overall: 390 x 305mm. This engraving of Chambers' original painting of 1835 in the Royal Collection, shows the east end of Greenwich Hospital. The crane - hence Crane Street - is prominent as are the children and their dog in the foreground. Condition is very good except for very light toning at the edge of the mount window. Larger image Ref 37738 : £18 Return to Antique Prints & Engravings Index
London. Holborn - Old Shops. W Murray c1910 - 41 x 32 cm Original antique etching, framed and glazed with a hand-ruled ivory bevel cut mount. Mount window 220 x 170 mm. The frame is rather scratched. Not examined out of the frame. Larger image 1 : Larger Image 2 Ref 39699 : £12 Return to Antique Prints & Engravings Index	London. Old Houses, Holborn W Edinlaw c1910 - 27 x 23 cm Original etching, Laid down and in a bevelled ivory mount. Signed by the artist in pencil. Mount window 195 x 150 mm. Title in pencil on the mount. Larger image 1 : Larger Image 2 : Larger Image 3 Ref 39484 : £15 Return to Antique Prints & Engravings Index	London. The New Buildings in the Strand, called the Adelphi, viewed from the River Thames. Alexander Hogg 1784 - 56 x 45 overall cm A handsome antique print - the recently completed Adelphi Terrace designed by Robert Adam - a view from the Thames - the spire of St. Martin in the Fields in the distance. Originally produced for Hogg's part-work publication: The New, Complete, and Universal History, Description and Survey of the Cities of London and Westminster, ostensibly written by A Society of Gentlemen and revised by William Thornton. Copper line engraving on paper. Later hand colour. Mount window 285 x 193 mm; overall size including frame 560 x 450 mm. Antiqued gold frame, bevel cut mount with hand ruled lines and wash in colour and gold surrounding the image. Overall in very good and clean state. Larger image 1 : Larger Image 2 Ref 39789 : £35 Return to Antique Prints & Engravings Index	London. The Old Curiosity Shop W Murray c1910 - 41 x 32 cm Original antique etching, framed and glazed with a hand-ruled ivory bevel cut mount. Mount window 220 x 170 mm. The frame is rather scratched. Not examined out of the frame. Larger image 1 : Larger Image 2 Ref 39698 : £12 Return to Antique Prints & Engravings Index
The list of 138 items in category ORIGINAL ART & FRAMED PRINTS has been split into 3 sections. This is section 2. > Section 1 > Section 2 > Section 3

http://www.theoldmapman.com/prints/artprints.htm made on 19-Jan-25 at 10:16:01