Home Page Buying Maps Books Prints Ephemera
This page is for artist printed images, framed and glazed prints, those in large mounts and also original artworks. They will include etchings, aquatints, lithographs, woodcuts and engravings on wood, copper and steel and also drawings, watercolours and oil paintings. Note: the headline dimensions are the overall dimensions of frame or mount as applicable.

BIG PRICE REDUCTIONS TO ALMOST EVERY ITEM IN THIS SECTION, SOME AS MUCH AS 50% OFF!

PLEASE DO NOT USE THE ADD TO CART BUTTONS FOR THIS PAGE BUT CONTACT ME USING THE EMAIL BELOW TO AGREE THE COURIER COST AS THE FRAMED AND GLAZED ITEMS MAY BE SENT BY ROYAL MAIL SPECIAL DELIVERY FOR SAFETY. VERY LARGE ITEMS MAY BE SENT BY PARCELFORCE EXPRESS48. COLLECTION IS POSSIBLE & GETS AN AUTOMATIC 15% DISCOUNT. GLAZED ITEMS WILL NOT BE SENT OUT OF THE UK BUT WORKS MAY BE REMOVED FROM THE FRAMES FOR SHIPPING

Email: don@theoldmapman.com

Some of the photographs of glazed items show reflections and stray colours for which I apologise!

Artists include: FREDERICK CHRISTIAN LEWIS SNR (1779-1856), was an eminent painter, etcher, aquatint and stipple engraver. Lewis transformed numerous natural history paintings into aquatints. His superlative skills as an engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, which greatly influenced landscape painting. Apart from the River Dart volume he produced a similar volume on the Exe. As the frames have been scratched buyers may prefer to have the etchings sent in their mounts alone. Postage costs will then be reduced. None of these etchings have been examined out of the frames.

ROBERT HILLS (1769-1844). English Painter & Etcher. He exhibited six or seven drawings annually at the Royal Academy and was a member of the Society of Water-colours. His favourite subjects were cattle, sheep, donkeys, pigs, horses and above all deer. The British Museum holds the artist's collection of his own etchings, over 1200 of the finest impressions and proofs.

HERBERT RAILTON. (1857-1910). I have added a score of the ORIGINAL SIGNED ARTWORK DRAWINGS in pen & ink on card by Herbert Railton for: EDINBURGH - A Historical and Topographical Account of the City, Written by M. G. Williamson. Methuen, 1906. After his drawings of a railway accident at Blackburn station (1881) were published in the Illustrated Sporting and Dramatic News, Railton went on to become one of the leading illustrators of his day. Railton provided many black and white illustrations for magazines and books - including editions of books by famous authors such Oliver Goldsmith, Henry Fielding, Samuel Johnson and travel guides, such as Coaching Days and Coaching Ways. Despite my best efforts, the images of these Railton drawings do not adequately show the contrast between the black ink and the white board.


The list of 224 items in category ORIGINAL ART & FRAMED PRINTS has been split into 5 sections. This is section 4.

  > Section 1 > Section 2 > Section 3 > Section 4 > Section 5



London. Bridge Street, Blackfriars.
Lively scene with several carriages and many people strolling near the obelisk that was put there by the Blackfriars Bridge committee, who were responsible for the layout of St George's Circus.
1812 - 32 x 26 cm

Aquatint with original colour. No. 41 of R. Ackermann’s Repository of Arts etc., London Collection, Published 1st May 1812 at 101 Strand, London. Gilt frame with bevelled mount. Mount window 205 x 135 mm. Frame 320 x 260 mm overall. Framed and glazed. Good condition. Couple of spots in the sky.

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Ref 39991 : £30


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London. Foundling Hospital, Coram s Fields
John Bluck after Augustus Charles Pugin and Thomas Rowlandson
1809 - 42 x 35.5 cm

Coloured aquatint by John Bluck from the architectural drawing of Augustus Charles Pugin and its populating by Thomas Rowlandson from the Ackermann published Microcosm of London, 1808-11. The print is affixed to the mount and is lightly toned just around the edges. Verso is strongly toned but this is not noticeable on the face. In a vintage bevelled mount, somewhat toned, with a window 275 x 225mm.

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Ref 37724 : £25


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London. Greenwich Hospital.
Hand coloured steel engraving after the painting by George Chambers, engraved by J.B. Allen. Published by James S. Virtue.
c1859 - 39 x 30.5 cm

In Hogarth frame and gold ruled bevelled mount. Mount window size: 280 x 205mm, frame overall: 390 x 305mm. This engraving of Chambers' original painting of 1835 in the Royal Collection, shows the east end of Greenwich Hospital. The crane - hence Crane Street - is prominent as are the children and their dog in the foreground. Condition is very good except for very light toning at the edge of the mount window.

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Ref 37738 : £18


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London. Holborn - Old Shops.
W Murray
c1910 - 41 x 32 cm

Original antique etching, framed and glazed with a hand-ruled ivory bevel cut mount. Mount window 220 x 170 mm. The frame is rather scratched. Not examined out of the frame.

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Ref 39699 : £12


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London. Houses of Lords and Commons from Old Palace Yard. Source,
Artist and engraver unknown
Early C19th - 27.5 x 23.5 cm

Artist and engraver unknown but dating from late 18th or early 19th century. Lightly hand coloured engraving in a bevelled ivory mount in a Hogarth frame. Mount window size: 155 x 95mm, frame overall: 275 x 235mm. Appears in very good condition with possibly a very faint damp line in the lower right corner which is hardly noticeable but not examined out of the frame.

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Ref 37741 : £15


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London. Old Houses, Holborn
W Edinlaw
c1910 - 27 x 23 cm

Original etching, Laid down and in a bevelled ivory mount. Signed by the artist in pencil. Mount window 195 x 150 mm. Title in pencil on the mount.

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Ref 39484 : £15


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London. St James s Palace.
David Gentleman studied illustration at the Royal College of Art under Edward Bawden and John Nash. He has had more than 100 commissions for British stamp editions; a record among designers. He went on to make many lithographs of buildings.
1970s - 54 x 68.5 cm

Original limited edition artist's print by David Gentleman, (born 1930) is one of Britain’s most successful artist-designers. Dating from the 1970s and published by the Curwen Gallery iy is numbered 190/195 and signed in pencil by the artist. Looks in very nice condition but not examined out of the frame. This coloured lithograph is framed and glazed but the frame is rather scratched. Engraved area 375 x 490 mm. Sheet size 450 x 600 mm; overall size 540 x 685 mm. His unframed prints, where available, are mostly on sale at £250 to £350.

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Ref 39857 : £75


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London. The New Buildings in the Strand, called the Adelphi, viewed from the River Thames.
Alexander Hogg
1784 - 56 x 45 overall cm

A handsome antique print - the recently completed Adelphi Terrace designed by Robert Adam - a view from the Thames - the spire of St. Martin in the Fields in the distance. Originally produced for Hogg's part-work publication: The New, Complete, and Universal History, Description and Survey of the Cities of London and Westminster, ostensibly written by A Society of Gentlemen and revised by William Thornton. Copper line engraving on paper. Later hand colour. Mount window 285 x 193 mm; overall size including frame 560 x 450 mm. Antiqued gold frame, bevel cut mount with hand ruled lines and wash in colour and gold surrounding the image. Overall in very good and clean state.

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Ref 39789 : £35


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London. The Old Curiosity Shop
W Murray
c1910 - 41 x 32 cm

Original antique etching, framed and glazed with a hand-ruled ivory bevel cut mount. Mount window 220 x 170 mm. The frame is rather scratched. Not examined out of the frame.

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Ref 39698 : £12


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London. View of the Thames from Richmond Hill,
Drawn by C Barrett and engraved by G H Every.
3rd quarter of C19th - 26.5 x 21.5 cm

Sheep surround the viewer and the river is alive with numerous pleasure craft. Hand coloured and in an ivory mount, in a neat gold and black frame and glazed. Mount window size: 175 x 125mm, frame overall: 265 x 215mm. Appears in good condition but not examined out of the frame.

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Ref 37739 : £12


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London. Westminster Abbey: East Prospect of the Abby of St Peter and of the Parish Church of St Margaret, Westminster.
Engraved by Benjamin Cole (1695-1766). Paper watermarked W King.
Circa1756. - 57 x 45 cm

An antique hand coloured copper engraving. A really fine view of the Abbey and the parliamentary church of St Margaret next door. Note the numerous ladies exhibiting the huge hooped skirts which came into fashion in this decade. One vertical fold mark. In a bevelled dark grey mount within a gilt frame. Mount window size: 425mm x 315mm, frame overall: 570 x 450mm. Print appears in excellent condition but not examined out of the frame, which has take several knocks. (see image). On offer elsewhere uncoloured and not framed for £225.

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Ref 37779 : £60


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Long Tailed Tits
Three long-tailed tits on lichen covered branches. A similar work is signed AW 74 and this is clearly from the same hand.
c1974 - 35 x 43.5 cm

Original watercolour of birds, on black paper, with bevel cut mount and framed and glazed. Overall size 350 x 435 mm; mount window 220 x 285 mm. The frame is Hogarth style and in very good condition.

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Ref 39855 : £12


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Ludlow, Shropshire. The Feathers.
Original pen & ink drawing by member of the Liverpool Artists Club, Threadgold.
c1960 - 22.3 x 26 cm

A 17th century coaching inn. In a bevelled ivory mount. Mount window size: 108 x 143mm, mount overall: 225 x 260mm. In good condition.

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Ref 37772 : £12


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Manchester. The Shambles
Original dry point etching by Leonard Brewer (1875-1935)
1911 - 25 x 31 cm

Titled and signed in pencil by the artist and in the plate. A copy is in Manchester Art Gallery and the image accessible on the internet. The etching has been laid down for mounting and framing and is in very good condition save for two worm holes in far left top corner. Leonard Brewer was a painter and etcher of architectural subjects. He lived and worked in Manchester. He exhibited at the Walker Gallery, Liverpool, Manchester City Art Gallery and the Royal Cambrian Gallery. He was elected an associate of the Royal Cambrian Academy in 1922.

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Ref 37703 : £40


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Middlesex. Hornsey Wood House.
Steel engraving. Originally produced for Thomas Dugdale's part-work survey published as: The Curiosities of Great Britain or England Delineated, in various formats between 1838 and 1860.
1860 - 27.5 x 22 cm

Formerly the Hunting Seat of Queen Elizabeth, here a tavern. London: 1860. An attractive antique print of Hornsey Wood House with numerous families about. Hand coloured engraving in a gilt-ruled bevelled mount in a Hogarth frame. Mount window size: 135 x 105mm, frame overall: 275 x 220mm. Appears in good condition but corners not taped to mount. Not examined out of the frame.

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Ref 37745 : £12


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Nottingham.
Copper engraving by W. J. Cooke. London, Published 1833 for the Proprietor by Moon, Boys & Graves, 6, Pall Mall, based on the original watercolour and a later drawing by Joseph Mallord William Turner.
1833 - 43 x 37 cm

Framed and glazed. Print looks to be in very good order except for some spotting in the lower margin although not examined out of the frame. Hand-coloured. Mount window 265 x 210 mm. Frame overall 430 x 370 mm.

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Ref 37736 : £15


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Nozeman & Sepp: Charadrius Hiaticula. Common Ringed Plover
From Nederlandsche vogelen (Dutch birds) by Nozeman and Sepp. Plate 136 from Volume 3. 1797.
1797 - 47 x 60 cm

Beautifully framed and glazed with a bevelled mount. Mount window 285 x 410mm. 470 x 600mm overall. Looks in nice condition but not examined out of the frame. These wonderful images were produced over a 59 year period and the 5 volume work with 250 plates, upon the final publication, was the costliest book ever published and is now rare and enormously expensive. Offered currently from £67,000 to £116,000 with a British dealer charging £1,000 per framed plate.

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Ref 39807 : £175


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Nozeman & Sepp: Picus Alba et Viridis Minor. European green woodpecker (Above: leucistic; below: male, juvenile)
From Nederlandsche vogelen (Dutch birds) by Nozeman and Sepp. Plate 190 from Volume 4. 1809.
1809 - 47 x 60 cm

Beautifully framed and glazed with a bevelled mount. Mount window 285 x 410mm. 470 x 600mm overall. Looks in nice condition but not examined out of the frame. However the colouring is not as rich as in some other examples and so is offered at a reduced price. These wonderful images were produced over a 59 year period and the 5 volume work with 250 plates, upon the final publication, was the costliest book ever published and is now rare and enormously expensive. Offered currently from £67,000 to £116,000 with a British dealer charging £1,000 per framed plate.

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Ref 39806 : £110


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Orange-legged Hobby
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39208 : £12


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Original Oil. Loch Awe 1
Oil on Daler board by Valerie Prance. Signed
c1960 - 50 x 40 cm

The Loch with rocks down to the water's edge

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Ref 37784 : £10


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Original Oil. Loch Awe 2
Oil on Daler board by Valerie Prance.
c1960 - 50 x 40 cm

The Loch with a tree covered slope.

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Ref 37785 : £10


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Original Oil. Snow on Romney Marsh, Kent
Oil on Daler board by Valerie Prance. Signed
c1960 - 50 x 40 cm

Impressionist view of the Marsh with gaunt trees and a figure at the gate with dog.

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Ref 37787 : £10


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Original Oil. St Mary s Bay, New Romney, Kent.
Oil on Daler board by Valerie Prance.
c1960 - 50 x 40 cm

An impression of the coastline from Littlestone-on-Sea, Greatstone and Lydd-on-Sea, possibly as far as Dungeness Power Station and Lighthouse at the left extremity (?) all beneath a squally sky.

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Ref 37786 : £15


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Osprey
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39204 : £12


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Oxford. West Front of Christ Church.
Drawn by F. McKenzie, engraved by J. Le Keux. Published by J. H. Parker, Oxford. February 1st 1833; C . Tilt, Fleet Street & J. Le Keux, Harmondsworth.
c1790 - 28 x 24 cm

Hand coloured antique steel engraving of the college with a very empty St Aldates except for a few pedestrians from both town and gown. 11 x 17cm mount window; 28 x 24cm overall in classic Hogarth frame. A little faint spotting but not examined out of the frame.

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Ref 39221 : £12


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Peasant Woman & Child.
Drawn and Etched by John Augustus Atkinson. London. Published as the Act directs, May 1. 1803, by J. A. Atkinson and Jas Walker, No. 8, Conway Street, Fitzroy Square, and Messrs John & Josiah Boydell, Pall Mall & Cheapside.
c1803 - 34 x 40.5 overall cm

Plate from John Augustus Atkinson's (1775 - 1831) 'A Picturesque Representation of the Manners, Customs and Amusements of the Russians', 1803 - 1804. Hand coloured soft ground etching and aquatint with very large margins. Green bevel cut mount. Mount window 190 x 253 mm; overall size including frame 340 x 405 mm. John Augustus Atkinson was a British etcher, painter, draughtsman and printmaker. He spent 1784 - 1801 in Russia with his uncle, James Walker. After returning to London in 1801, he made prints after his works, of Russian subjects, and made outline etchings for other artists. He also executed paintings on military subjects and battles. Note the shading in the right margin. This is rippling of the paper from the damp stained outer margin hidden beneath the mount. The paper is also slightly toned.

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Ref 39790 : £18


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Peasant woman with child in full peasant dress, lace collar, pointed hat with lace drape and chin strap.
Anon.
19th century - 38 x 35 cm

Man standing wearing elegant high collared smock with neckerchief and tall hat and holding a whip. Dog lying at his feet. Fishing boats and fisher folk in the middle distance. Aquatint (?), hand coloured. Early to mid nineteenth century. Framed and glazed. Gilt frame, double bevelled mount with gold hand ruling. A few spots and one area of damage at the top. Mount window 190 x 160 mm; overall size including frame 380 x 350 mm.

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Ref 39793 : £9


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Relief Panel. Medieval couple
Resin cast panel also showing a hunting horn, the moon, a royal key and an intriguing pair of objects bolted together!
Late C20th - 31 x 49.5 cm

Simulated carved wood panel said to be in a continental style and presumably a copy of a panel from c15th century. Is this perhaps a medieval interpretation of Adam & Eve with the apple in her hand? Whatever the origin, the panel is charming and will look good on the wall!

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Ref 39139 : £15


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Rugby Union greats: Tim Rodber.

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39797 : £9


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Rugby Union greats: Tony Underwood

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39796 : £9


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Salisbury Cathedral: View from South to North Transept.
Drawn by J. Archer Engraved by B. Winkles.
1841 - 26.5 x 23.5 cm

Hand coloured antique steel engraving of the interior of the cathedral with figures including a verger with a child. 16 x 13cm mount window; 26.5 x 23.5cm overall in classic Hogarth frame. A little dusty inside the glass. Frame a little bumped at the corners.

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Ref 39223 : £10


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Screenprint. Down to the Brook.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the shadows are long from the low setting sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37735 : £24


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Screenprint. Late Summer Evening.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the hay has been cut but so far unturned and lies drying in the warm sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37734 : £24


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Screenprint. Swans
Tass Bell
1982 - 79 x 56 cm

Screen print in a painted and gilt wooden frame, glazed. 790 x 560 mm overall; 650 x 410 mm image. Printer’s proof.

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Ref 39534 : £12


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Screenprint. The Valley 1. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

View through the open gate across ploughed field and distant rolling hills. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37732 : £24


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Screenprint. The Valley 2. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

The cereal crop has been taken in the foreground and the further fields are ridged from the plough. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37733 : £24


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Screenprint. Under the sun brolly
Alf Steadman is known for his pointilliste works but the print s origin is uncertain as Alf Stockman did not usually make screen prints and it may be by one of his students, after his style.
c1985 - 58 x 58 cm

Original screenprint in a distressed white painted and gilt frame, glazed. Unsigned, but with a printed label stating this to be: Under the sun brolly by Alf Stockham, Lecturer at UWE. About 1985, an experimental print. 580 x 580 mm overall; 450 x 450 mm image.

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Ref 39533 : £25


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Shooting scene.
Print highlighted with oil, signed Arthur A Warre (?) and dated 1906.
1906 - 28.5 x 22.5 cm

Smoke swirls from the barrel of the shotgun. A bird is brought down, three hunting dogs are on alert. Framed in a wide walnut veneered frame. Image 185 x 125 mm; overall size including frame 285 x 225mm.

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Ref 39799 : £12


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Short-eared Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39209 : £12


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Skye and the Cuillins, Across to
Limited edition 70/80. Signed in pencil. 660 x 520 mm overall.
c1935 - 66 x 52 cm

Lithographed print by well known Scottish artist Robert Houston. Generally in good condition though toned verso.

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Ref 38039 : £5


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Snowy Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39212 : £12


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Somerset. Clevedon from the Rocks.
Rare antique hand coloured engraving by Newman & Co. 48 Watling St. London. Pub. by Thomas Coleman, chemist, of Clevedon.
c1840 - 32 x 25.5 cm

Framed and glazed in a gold and green frame with a double bevelled mount featuring triple hand rulings. Mount window 170 x 105 mm. Size overall 320 x 255 mm. Although the paper a little toned it appears in very good condition but not examined out of the frame. The only reference I have found to this work is on the website of the Yale Center for British Art, in the USA. Is this a later reduction from: Six views in Clevedon: and its neighbourhood? Hand-coloured Lithographs, c1840. Abbey, J.R. Scenery, 99, which is described as “Oversize”.

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Ref 39953 : £25


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Somersetshire. Chedder (Cheddar) Cliffs
A striking antique print a dramatic view down the Gorge. Originally produced for the part-work Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views (London: 1829-1831).
1829 - 27.5 x 34 cm

Publisher: Jones & Co. London, 1829. This original steel engraving with later subtle hand colour is in an ivory bevelled mount with gold and coloured rulings within a gilt frame. Mount window 110 x 170 mm; frame 275 x 340 mm overall. Appears in very good condition but not examined out of the frame. Please see images.

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Ref 39933 : £15


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Southwark, Church &c.
A pleasant antique print with hand colouring of St. Saviour (Southwark Cathedral) from the south, with the road leading to London Bridge, etc. A market vehicle spills its load in the foreground.
c1837 - 28 x 24 cm

Browne, Hablot Knight & Garland, Robert. London: Originally published Oct. 2nd 1837 by W. S. Orr & Co., Amen Corner. Steel line engraving on paper by John Woods from a composite study by Hablot Knight Browne (“Phiz”) and Robert Garland. Originally produced for Woods’ History of London: Illustrated by Views, first published in parts 1837-1838 and subsequently reissued. Mount window 170 x 140 mm. Mount has a hand gold ruling and is 280 x 240 mm overall. Good condition but toned verso.

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Ref 39992 : 


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Spotted Eagle
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39203 : £12


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Surrey. Esher, Bear Inn.
Lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram
c1893 - 32.5 x 28.5 cm

Hand coloured antique lithograph. It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 140 x 110mm, frame overall: 325 x 285mm. Appears in good condition but not examined out of the frame.

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Ref 37761 : £10


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Surrey. Esher, The Old Church.
Hand coloured antique lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram.
c1893 - 29 x 35 cm

It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 120 x 165mm, frame overall: 290 x 350mm. Appears in very good condition but not examined out of the frame.

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Ref 37762 : £10


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Surrey. Esher, The Remaining Tower of Cardinal Wolsey's Palace.
Drawn by W. Havell, 1827.Sketch by T Loft, 1827. Engraved by George Cooke, 1827. Published by Longman & Co., J. and A. Arch, Carpenter & Sons, & G. Cooke, London, for Cooke's Views in London and its Vicinity 1826-34.
1827 - 26.5 x 23.5 cm

Hand coloured engraving. It shows the tower but in the foreground a crow observes farming folk possibly turning the hay while sheep tuck in and cattle graze nearer the river or lake. The print is in a Hogarth frame, glazed. The bevelled ivory mount has a window size: 170 x 140mm, frame overall: 265 x 235mm. Appears in good condition except for a couple of spots near the title but not examined out of the frame.

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Ref 37759 : £10


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The list of 224 items in category ORIGINAL ART & FRAMED PRINTS has been split into 5 sections. This is section 4.

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http://www.theoldmapman.com/prints/artprints.htm made on 29-Nov-18 at 14:18:06