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This page is for artist printed images, framed and glazed prints, those in large mounts and also original artworks. They will include etchings, aquatints, lithographs, woodcuts and engravings on wood, copper and steel and also drawings, watercolours and oil paintings. Note: the headline dimensions are the overall dimensions of frame or mount as applicable.

Some of the photographs of glazed items show reflections and stray colours for which I apologise!

Artists include: FREDERICK CHRISTIAN LEWIS SNR (1779-1856), was an eminent painter, etcher, aquatint and stipple engraver. Lewis transformed numerous natural history paintings into aquatints. His superlative skills as an engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, which greatly influenced landscape painting. Apart from the River Dart volume he produced a similar volume on the Exe. As the frames have been scratched buyers may prefer to have the etchings sent in their mounts alone. Postage costs will then be reduced. None of these etchings have been examined out of the frames.

ROBERT HILLS (1769-1844). English Painter & Etcher. He exhibited six or seven drawings annually at the Royal Academy and was a member of the Society of Water-colours. His favourite subjects were cattle, sheep, donkeys, pigs, horses and above all deer. The British Museum holds the artist's collection of his own etchings, over 1200 of the finest impressions and proofs.

HERBERT RAILTON. (1857-1910). I have added a score of the ORIGINAL SIGNED ARTWORK DRAWINGS in pen & ink on card by HERBERT RAILTON for: EDINBURGH - A Historical and Topographical Account of the City, Written by M. G. Williamson. Methuen, 1906. After his drawings of a railway accident at Blackburn station (1881) were published in the Illustrated Sporting and Dramatic News, Railton went on to become one of the leading illustrators of his day. Railton provided many black and white illustrations for magazines and books - including editions of books by famous authors such Oliver Goldsmith, Henry Fielding, Samuel Johnson and travel guides, such as Coaching Days and Coaching Ways. Despite my best efforts, the images of these Railton drawings do not adequately show the contrast between the black ink and the white board.

EILEEN ALICE SOPER, (1905-1990) was an etcher and illustrator of children's and wildlife books. She produced a series of etchings mainly of children playing and illustrated books for other writers, notably for Enid Blyton and Elizabeth Gould, and wrote and illustrated her own children's book. Later in life she concentrated on writing and illustrating wildlife books. She was a founder member of the Society of Wildlife Artists (SWLA). The original unique drawings on this site were used to illustrate the 1992 edition of her book Badgers. Her work commands high prices when it comes on the market.

PLEASE DO NOT USE THE ADD TO CART BUTTONS FOR THIS PAGE BUT CONTACT ME USING THE EMAIL BELOW TO AGREE THE COURIER COST AS THE FRAMED AND GLAZED ITEMS MAY BE SENT BY ROYAL MAIL SPECIAL DELIVERY FOR SAFETY. VERY LARGE ITEMS MAY BE SENT BY PARCELFORCE EXPRESS48. COLLECTION IS POSSIBLE. GLAZED ITEMS WILL NOT BE SENT OUT OF THE UK

Email: don@theoldmapman.com


The list of 187 items in category ORIGINAL ART & FRAMED PRINTS has been split into 4 sections. This is section 4.

  > Section 1 > Section 2 > Section 3 > Section 4



Prunus Ukon Serrulata and Prunus Kanzon Hisakura.
Helen C Babington, Somerset artist. Flourished 1976-1990. Painted multiple British wildlife works for the Medici Gallery from which a series of postcards was produced.
c1976 - 25 x 45 cm

Finest quality original watercolour botanical painting. 265 x 365 mm on art board, in pale green bevel cut mount 350 x 450 mm. Titled and signed. Framed and glazed. Very fine condition. Spoiled pencil sketch verso (see images).

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Ref 39859 : £50


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Relief Panel. Medieval couple
Resin cast panel also showing a hunting horn, the moon, a royal key and an intriguing pair of objects bolted together!
Late C20th - 31 x 49.5 cm

Simulated carved wood panel said to be in a continental style and presumably a copy of a panel from c15th century. Is this perhaps a medieval interpretation of Adam & Eve with the apple in her hand? Whatever the origin, the panel is charming and will look good on the wall!

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Ref 39139 : £20


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Rugby Union greats: Tim Rodber.

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39797 : £12


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Rugby Union greats: Tony Underwood

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39796 : £12


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Salisbury Cathedral: View from South to North Transept.
Drawn by J. Archer Engraved by B. Winkles.
1841 - 26.5 x 23.5 cm

Hand coloured antique steel engraving of the interior of the cathedral with figures including a verger with a child. 16 x 13cm mount window; 26.5 x 23.5cm overall in classic Hogarth frame. A little dusty inside the glass. Frame a little bumped at the corners.

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Ref 39223 : £15


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Scotland. Beith, North Ayrshire, Spiers School
Original etching by Robert Houston (1891-1942)
N. D. c1933 - 40.5 x 30.5 cm

Original etching signed in pencil by the artist, Robert Houston. The etching is heavily toned (see image) and in a vintage mount with a window 255 x 150mm. On the mount is the Schoolís crest but rest of the surface of the mount appears to have been covered with a white wash. The school was closed in 1972.

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Ref 37726 : £15


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Screenprint. Down to the Brook.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the shadows are long from the low setting sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37735 : £59


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Screenprint. Late Summer Evening.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the hay has been cut but so far unturned and lies drying in the warm sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37734 : £59


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Screenprint. Swans
Tass Bell
1982 - 79 x 56 cm

Screen print in a painted and gilt wooden frame, glazed. 790 x 560 mm overall; 650 x 410 mm image. Printerís proof.

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Ref 39534 : £35


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Screenprint. The Valley 1. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

View through the open gate across ploughed field and distant rolling hills. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37732 : £49


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Screenprint. The Valley 2. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

The cereal crop has been taken in the foreground and the further fields are ridged from the plough. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37733 : £49


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Screenprint. Under the sun brolly
Alf Steadman is known for his pointilliste works but the print s origin is uncertain as Alf Stockman did not usually make screen prints and it may be by one of his students, after his style.
c1985 - 58 x 58 cm

Original screenprint in a distressed white painted and gilt frame, glazed. Unsigned, but with a printed label stating this to be: Under the sun brolly by Alf Stockham, Lecturer at UWE. About 1985, an experimental print. 580 x 580 mm overall; 450 x 450 mm image.

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Ref 39533 : £30


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Shooting scene.
Print highlighted with oil, signed Arthur A Warre (?) and dated 1906.
1906 - 28.5 x 22.5 cm

Smoke swirls from the barrel of the shotgun. A bird is brought down, three hunting dogs are on alert. Framed in a wide walnut veneered frame. Image 185 x 125 mm; overall size including frame 285 x 225mm.

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Ref 39799 : £15


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Short-eared Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39209 : £15


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Shropshire. The Feathers, Ludlow
Original pen & ink drawing by member of the Liverpool Artists Club, Threadgold.
c1960 - 22.3 x 26 cm

A 17th century coaching inn. In a bevelled ivory mount. Mount window size: 108 x 143mm, mount overall: 225 x 260mm. In good condition.

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Ref 37772 : £12


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Skye and the Cuillins, Across to
Limited edition 70/80. Signed in pencil. 660 x 520 mm overall.
c1935 - 66 x 52 cm

Lithographed print by well known Scottish artist Robert Houston. Generally in good condition though toned verso.

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Ref 38039 : £9


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Snowy Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39212 : £15


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Soper, Eileen: Badger 1
Original unique drawing by Eileen Soper from her sketchbook and which was used in her wildlife books. It finally appeared in her book, edited by Duff Hart-Davis, entitled Badgers and which was printed in 1992.
1950s - 42 x 28 cm

This very large sketch of a single badger is signed Eileen A. Soper and fills the sheet which is 420 x 280mm. This is from her sketchbook and has some creases with one right across the sheet. A few small marks in the lower margin. Its provenance can be assured as it can be seen as the chapter heading on page 37 of her book. I believe that framed and glazed it will provide a splendid image to have in your home. Although some of her earlier etchings are on the market this original signed drawing is a very rare item.

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Ref 39815 : £195


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Soper, Eileen: Badger 9
Original unique drawing by Eileen Soper from her sketchbook and which was used in her wildlife books. It finally appeared in her book, edited by Duff Hart-Davis, entitled Badgers and which was printed in 1992.
1950s - 18.5 x 25 cm

These two original sketches of badgers are from the sketchbook of Eileen Soper. Although unsigned their provenance can be assured as the upper sketch of two cubs at play in May 1953 is to be seen on page 52 of her book and the lower sketch of the boar from early one morning in 1954 is on page 95. The upper sketch is clean but the lower sketch of the boar has a faint line up left side and is mounted on another sheet from her sketchbook. Please see images. Mount window 70 x 110 mm. Overall 185 x 250 mm.

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Ref 39823 : £30


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Soper: Rats
Original unique drawing by Eileen Soper from her sketchbook and which was used in her wildlife books. It finally appeared in her book, edited by Duff Hart-Davis, entitled Badgers and which was printed in 1992.
1950s - 18 x 14 cm

This original sketch of two rats which had been stealing the food put out for badgers, is from the sketchbook of Eileen Soper. Although unsigned its provenance can be assured as it is to be seen on page 86 of her book. Sheet size 142 x 70 mm and mount window 95 x 55 mm. Overall 182 x 140 mm. This piece from her sketchbook has a few small spots near the lower edge and some damage which does not show in the mount window.

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Ref 39825 : £20


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Spotted Eagle
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39203 : £15


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Surrey. Esher, Bear Inn.
Lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram
c1893 - 32.5 x 28.5 cm

Hand coloured antique lithograph. It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 140 x 110mm, frame overall: 325 x 285mm. Appears in good condition but not examined out of the frame.

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Ref 37761 : £15


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Surrey. Esher, The Old Church.
Hand coloured antique lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram.
c1893 - 29 x 35 cm

It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 120 x 165mm, frame overall: 290 x 350mm. Appears in very good condition but not examined out of the frame.

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Ref 37762 : £15


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Surrey. Esher, The Remaining Tower of Cardinal Wolsey's Palace.
Drawn by W. Havell, 1827.Sketch by T Loft, 1827. Engraved by George Cooke, 1827. Published by Longman & Co., J. and A. Arch, Carpenter & Sons, & G. Cooke, London, for Cooke's Views in London and its Vicinity 1826-34.
1827 - 26.5 x 23.5 cm

Hand coloured engraving. It shows the tower but in the foreground a crow observes farming folk possibly turning the hay while sheep tuck in and cattle graze nearer the river or lake. The print is in a Hogarth frame, glazed. The bevelled ivory mount has a window size: 170 x 140mm, frame overall: 265 x 235mm. Appears in good condition except for a couple of spots near the title but not examined out of the frame.

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Ref 37759 : £15


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Surrey. Esher, Wainflete's Tower.
Hand coloured steel engravings from A Topographical History of Surrey by Brayley Edward Wedlake, 1841/8. Drawn by T Allom and engraved by Flemming.
c1845 - 25.2 x 34 cm

Shewing the Principal Front & As seen from the opposite Meadow. Both views on single sheet. In a ruled bevelled deep cut mount in a Hogarth frame. Mount window size: 165 x 240mm, frame overall: 255 x 340mm. Appears in good condition but not examined out of the frame.

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Ref 37763 : £22


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Surrey. Esher, Wolsey's Well.
Drawn by D Harding and engraved by G. Cooke. London, Published by Longman & Co., J. and A. Arch & G. Cooke, in Cooke's Views in London and its Vicinity, 1826-34.
c1830 - 21 x 24.5 cm

Steel engraving with hand colouring in an ivory bevelled mount within a Hogarth frame. Mount window size: 100 x 140mm, frame overall: 210 x 245mm. Appears in very good condition but not examined out of the frame.

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Ref 37758 : £20


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Surrey. Thames Ditton Church, 1.
London: John Harris, 1812. Engraved by C. Pote from an original study by the landscape artist John Preston Neale, 1780-1847. Originally produced for the part-work: Beauties of England and Wales, 1801-1816.
1812 - 28 x 24 cm

A pleasing antique hand coloured copper line engraving of the parish church of St. Nicholas at Thames Ditton, with its wooden belfry. In a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 150 x 105mm, frame overall: 280 x 240mm. Appears in very good condition but not examined out of the frame.

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Ref 37756 : £25


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Surrey. Thames Ditton Church, 2.
Wood engraving. Appeared in Old and New London, 1880 and the part-work: Greater London - A Narrative of its History, its People and its Places, published between 1880s by Cassell & Co., London.
c1885 - 29 x 26 cm

A hand coloured wood engraving on paper - a view of the old parish church of St. Nicholas, with its wooden belfry. In a gilt-ruled bevelled ivory mount in an attractive wooden frame faced with contrasting coloured stringing. Mount window size: 140 x 110mm, frame overall: 290 x 260mm. There is text printed on the reverse and this is just visible on the face. There are toned bands at both the upper and lower edges. (See image).

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Ref 37757 : £15


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Surrey. Thames Ditton, the Seat of Sir Thomas Heathcote. Bart.
Hand coloured copper engraving painted and engraved by M A Rooker. Published by G Kearsly, no. 46 Fleet Street, Dec 1st 1776.
1776 - 33 x 28 cm

An antique line engraving in a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 215 x 155mm, frame overall: 330 x 280mm. Appears in very good condition but not examined out of the frame. From A Collection of One Hundred and Fifty Select Views in England, Wales, Scotland, and Ireland, published by John Boydell in 1781.

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Ref 37753 : £30


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Surrey. Thames Ditton, The Swan, 1.
Wood engraving
c1870 - 28 x 24 cm

View from the other bank of the river also showing the very large house next door and the slipway from the inn with several row-boats and one in use with a family aboard. At the other bank are skiffs and punts. Finely hand coloured wood engraving in a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 95 x 75mm, frame overall: 280 x 240mm. Exact date unknown but probably second half of the 19th century and before the Billiard Saloon was built which is to be seen in prints from the 1880s. Appears in very good condition but not examined out of the frame.

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Ref 37750 : £15


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Surrey. Thames Ditton, The Swan, 2.
Lithographic print from the Edwardian Highways and By-ways in Surrey.
c1908 - 26.5 x 25 cm

A fine hand coloured lithographic print of Hugh Thomson's delicate drawing. It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 95 x 80mm, frame overall: 265 x 250mm. Appears in very good condition but not examined out of the frame.

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Ref 37751 : £15


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Surrey. Thames Ditton, The Swan, 3.
Wood engraving; London, Cassell & Co., 1884. Originally produced for the part-work: Greater London: a Narrative of its History, its People and its Places, published between 1882 and 1884.
1884 - 32 x 28 cm

A most attractive antique wood engraving on paper of the old hostelry from the river - the landing-stage, the billiard saloon, etc. The river is busy with fishermen, rowers, and a steam launch whose wash may not be appreciated by those in the boat with the awning! It is set in a multi-ruled ivory mount within an attractive gilt frame. Mount window size: 150 x 95mm, frame overall: 320 x 280mm. Appears in very good condition but not examined out of the frame.

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Ref 37752 : £20


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Surrey. Thames Ditton, with a house on the river s edge.
Hand coloured copper engraving by H.J. Ormsby after Seymor s original work.
C19th - 28 x 24 cm

Note the loads being lifted over the wall from one of the two covered boats, the ducks splashing in the water and the caged bird by the window. In a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 120 x 80mm, frame overall: 280 x 240mm. Appears in very good condition but not examined out of the frame.

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Ref 37755 : £20


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Unknown bloom
Lithograph (?) with hand colouring. Unknown provenance but the paper has the famous J Whatman watermark in paper that could be early 20th century.
c1900? - 23 x 28 cm

As you see I cannot tell you much about this elegant flower print. In a bevelled light-grey mount. Mount window size: 130 x 190mm, mount overall: 230 x 280mm. In very good condition.

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Ref 37774 : £10


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Watercolour. Golden Oriole male on branch by nest with female sitting.
Original watercolour with pen and pencil. Signed E. StB. S. and dated 1919. 160 x 225 mm overall; mount window 110 x 160 mm.
1919 - 16 x 22.5 cm

A nice image with title and a scale in a small mount. In very good condition.

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Ref 38043 : £18


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Watercolour. Mountain and lake scene.
On the location of the painting it could be said to resemble Skiddaw above Derwent Water. The quality of the painting is good and the end result is a light and sunny work that will delight its owner.
c1900 - 49.5 x 40 cm

Watercolour described by the auctioneers as a late nineteenth or early twentieth century view of the Lake District. The watercolour has been laid down and on the backing board is the name S. Coleman, in pencil. I have not found an artist of that name whose style and dates would appear to match that of this work. In a hand-ruled and colour wash bevel cut mount which, like the painting itself, is in very good condition. Mount window 370 x 270 mm; overall size 495 x 400 mm.

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Ref 39856 : £45


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Watercolour. Stone arched bridge over a river.
Original nineteenth century watercolour painting by an unknown artist
C19th. - 43 x 31.5 cm

Attractive and well executed watercolour. Cattle are drinking in the water watched by a man with a stick. Three people are walking over the bridge and the whole scene is overlooked by trees in leaf that is just starting to acquire autumn tints. In an old mount 430 x 315mm overall; mount window 325 x 215mm. In very good clean condition.

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Ref 38030 : £35


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Watercolour. The Squall Passes.
Signed I. E. Crowther. 505 x 415 mm overall; sheet 385 x 275 mm. Shown as in a mount with window 345 x 255 mm.
First half 20th century. - 50.5 x 41.5 cm

Original watercolour laid down on card. Atmospheric painting of hills under a lowering sky.

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Ref 38037 : £25


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White Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39214 : £15


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Windsor Castle and the River Thames
Original watercolour by Victorian amateur.
19th century - 38 x 32 cm

A little spotting, mainly in the sky, otherwise in good condition. In a bevelled ivory mount. Mount window size: 265 x 220mm, mount overall: 380 x 320mm.

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Ref 37770 : £10


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Woodland River Scenes
A. R. Williams, signed.
c1900 - 30 x 23.5 overall cm

Pair of watercolours of woodland river scenes, possibly from North Wales where A. R. Williams was known to work around 1900. Nicely framed and glazed in 1987 with double bevelled mounts in a style reflecting that of the late Victorian era. Mount window 180 x 122 mm; overall size including frame 300 x 235 mm.

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Ref 39792 : £25


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York Minster. The Rose Window
Original etching in an edition strictly limited to 250 artist s proofs. Signed and titled by the artist Charles W Barker in pencil.
N.D. c1910 - 24 x 37 cm

Image 10 x 23 cm, mounted, framed and glazed; 24 x 37 cm overall. Appears in excellent condition but not examined out of the black and gilt frame.

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Ref 37707 : £25


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York. View of St Peter s Cathedral
Drawn by Hamilton; engraved by Thornton. 16 x 12.5cm mount window; 23 x 29cm overall in classic Hogarth frame.
c1840 - 23 x 29 cm

A late 18th century hand coloured copper engraving of York Minster which appeared in Henry Boswell's Antiquities of England & Wales (Published in London by Alexander Hogg, 1786-1798). A little faint foxing but not examined out of the frame.

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Ref 39222 : £20


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The list of 187 items in category ORIGINAL ART & FRAMED PRINTS has been split into 4 sections. This is section 4.

  > Section 1 > Section 2 > Section 3 > Section 4
http://www.theoldmapman.com/prints/artprints.htm made on 17-Dec-17 at 08:51:27