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This page is for artist printed images, framed and glazed prints, those in large mounts and also original artworks. They will include etchings, aquatints, lithographs, woodcuts and engravings on wood, copper and steel and also drawings, watercolours and oil paintings. Note: the headline dimensions are the overall dimensions of frame or mount as applicable.

BIG PRICE REDUCTIONS TO ALMOST EVERY ITEM IN THIS SECTION, SOME AS MUCH AS 50% OFF

Some of the photographs of glazed items show reflections and stray colours for which I apologise!

Artists include: FREDERICK CHRISTIAN LEWIS SNR (1779-1856), was an eminent painter, etcher, aquatint and stipple engraver. Lewis transformed numerous natural history paintings into aquatints. His superlative skills as an engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, which greatly influenced landscape painting. Apart from the River Dart volume he produced a similar volume on the Exe. As the frames have been scratched buyers may prefer to have the etchings sent in their mounts alone. Postage costs will then be reduced. None of these etchings have been examined out of the frames.

ROBERT HILLS (1769-1844). English Painter & Etcher. He exhibited six or seven drawings annually at the Royal Academy and was a member of the Society of Water-colours. His favourite subjects were cattle, sheep, donkeys, pigs, horses and above all deer. The British Museum holds the artist's collection of his own etchings, over 1200 of the finest impressions and proofs.

HERBERT RAILTON. (1857-1910). I have added a score of the ORIGINAL SIGNED ARTWORK DRAWINGS in pen & ink on card by Herbert Railton for: EDINBURGH - A Historical and Topographical Account of the City, Written by M. G. Williamson. Methuen, 1906. After his drawings of a railway accident at Blackburn station (1881) were published in the Illustrated Sporting and Dramatic News, Railton went on to become one of the leading illustrators of his day. Railton provided many black and white illustrations for magazines and books - including editions of books by famous authors such Oliver Goldsmith, Henry Fielding, Samuel Johnson and travel guides, such as Coaching Days and Coaching Ways. Despite my best efforts, the images of these Railton drawings do not adequately show the contrast between the black ink and the white board.

PLEASE DO NOT USE THE ADD TO CART BUTTONS FOR THIS PAGE BUT CONTACT ME USING THE EMAIL BELOW TO AGREE THE COURIER COST AS THE FRAMED AND GLAZED ITEMS MAY BE SENT BY ROYAL MAIL SPECIAL DELIVERY FOR SAFETY. VERY LARGE ITEMS MAY BE SENT BY PARCELFORCE EXPRESS48. COLLECTION IS POSSIBLE. GLAZED ITEMS WILL NOT BE SENT OUT OF THE UK

Email: don@theoldmapman.com


The list of 202 items in category ORIGINAL ART & FRAMED PRINTS has been split into 4 sections. This is section 4.

  > Section 1 > Section 2 > Section 3 > Section 4



Original Oil. Loch Awe 1
Oil on Daler board by Valerie Prance. Signed
c1960 - 50 x 40 cm

The Loch with rocks down to the water's edge

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Ref 37784 : £10


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Original Oil. Loch Awe 2
Oil on Daler board by Valerie Prance.
c1960 - 50 x 40 cm

The Loch with a tree covered slope.

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Ref 37785 : £10


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Original Oil. Snow on Romney Marsh, Kent
Oil on Daler board by Valerie Prance. Signed
c1960 - 50 x 40 cm

Impressionist view of the Marsh with gaunt trees and a figure at the gate with dog.

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Ref 37787 : £10


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Original Oil. St Mary s Bay, New Romney, Kent.
Oil on Daler board by Valerie Prance.
c1960 - 50 x 40 cm

An impression of the coastline from Littlestone-on-Sea, Greatstone and Lydd-on-Sea, possibly as far as Dungeness Power Station and Lighthouse at the left extremity (?) all beneath a squally sky.

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Ref 37786 : £15


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Osprey
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39204 : £12


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Oxford. West Front of Christ Church.
Drawn by F. McKenzie, engraved by J. Le Keux. Published by J. H. Parker, Oxford. February 1st 1833; C . Tilt, Fleet Street & J. Le Keux, Harmondsworth.
c1790 - 28 x 24 cm

Hand coloured antique steel engraving of the college with a very empty St Aldates except for a few pedestrians from both town and gown. 11 x 17cm mount window; 28 x 24cm overall in classic Hogarth frame. A little faint spotting but not examined out of the frame.

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Ref 39221 : £12


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Peasant Woman & Child.
Drawn and Etched by John Augustus Atkinson. London. Published as the Act directs, May 1. 1803, by J. A. Atkinson and Jas Walker, No. 8, Conway Street, Fitzroy Square, and Messrs John & Josiah Boydell, Pall Mall & Cheapside.
c1803 - 36 x 42.5 overall cm

Hand coloured soft ground etching and aquatint with very large margins. Green bevel cut mount. Mount window 190 x 253 mm; overall size including frame 360 x 425 mm. The scene depicts Russian fishermen and women on a row boat on the Neva. According to the text these vessels 'serve the fishmongers at once for dwelling houses, shops and fishponds... the lower part of the bank is divided into different wells for the keeping (of) all kinds of fresh-water fish'. John Augustus Atkinson was a British etcher, painter, draughtsman and printmaker. He spent 1784 - 1801 in Russia with his uncle, James Walker. After returning to London in 1801, he made prints after his works, of Russian subjects, and made outline etchings for other artists. He also executed paintings on military subjects and battles. Plate 85 from John Augustus Atkinson's (1775 - 1831) 'A Picturesque Representation of the Manners, Customs and Amusements of the Russians', 1803 - 1804.

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Ref 39790 : £18


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Peasant woman with child in full peasant dress, lace collar, pointed hat with lace drape and chin strap.
Anon.
19th century - 38 x 35 cm

Man standing wearing elegant high collared smock with neckerchief and tall hat and holding a whip. Dog lying at his feet. Fishing boats and fisher folk in the middle distance. Aquatint (?), hand coloured. Early to mid nineteenth century. Framed and glazed. Gilt frame, double bevelled mount with gold hand ruling. A few spots and one area of damage at the top. Mount window 190 x 160 mm; overall size including frame 380 x 350 mm.

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Ref 39793 : £9


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Relief Panel. Medieval couple
Resin cast panel also showing a hunting horn, the moon, a royal key and an intriguing pair of objects bolted together!
Late C20th - 31 x 49.5 cm

Simulated carved wood panel said to be in a continental style and presumably a copy of a panel from c15th century. Is this perhaps a medieval interpretation of Adam & Eve with the apple in her hand? Whatever the origin, the panel is charming and will look good on the wall!

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Ref 39139 : £15


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Rugby Union greats: Tim Rodber.

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39797 : £9


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Rugby Union greats: Tony Underwood

N.D. - 49 x 28.5 cm

Framed and glazed in wooden frame, gilt, with bevel cut mount. Portraits in limited editions: Each number 7/500. Mount window 390 x 185 mm; overall size including frame 490 x 285 mm.

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Ref 39796 : £9


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Salisbury Cathedral: View from South to North Transept.
Drawn by J. Archer Engraved by B. Winkles.
1841 - 26.5 x 23.5 cm

Hand coloured antique steel engraving of the interior of the cathedral with figures including a verger with a child. 16 x 13cm mount window; 26.5 x 23.5cm overall in classic Hogarth frame. A little dusty inside the glass. Frame a little bumped at the corners.

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Ref 39223 : £10


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Screenprint. Down to the Brook.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the shadows are long from the low setting sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37735 : £24


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Screenprint. Late Summer Evening.
Screenprint by Michael Carlo
c1984 - 76 x 58 cm

Rural Suffolk field boundary where the hay has been cut but so far unturned and lies drying in the warm sun. Limited edition, (46/100), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 570 x 390 mm. Frame overall 760 x 580 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37734 : £24


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Screenprint. Swans
Tass Bell
1982 - 79 x 56 cm

Screen print in a painted and gilt wooden frame, glazed. 790 x 560 mm overall; 650 x 410 mm image. Printer’s proof.

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Ref 39534 : £12


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Screenprint. The Valley 1. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

View through the open gate across ploughed field and distant rolling hills. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37732 : £24


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Screenprint. The Valley 2. Rural Suffolk landscape towards winter.
Screenprint by Michael Carlo
c1984 - 65 x 52 cm

The cereal crop has been taken in the foreground and the further fields are ridged from the plough. Limited edition, (34/75), large screen print signed, titled and numbered by the artist, Michael Carlo. Beautifully mounted, framed and glazed in an attractive moulding, the print looks to be in excellent order although not examined out of the frame. Mount window 450 x 310 mm. Frame overall 650 x 520 mm. Ready to hang in your home or in a waiting room, pub, restaurant, office, etc., or any larger room. The print was framed some time ago and the frames may have very slight rubs or chips but not to the extent of being obvious. Michael Carlo sells his screenprints for around £300 each, unframed. Happy to discuss discounts for pairs of these prints or all four, subject to availability.

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Ref 37733 : £24


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Screenprint. Under the sun brolly
Alf Steadman is known for his pointilliste works but the print s origin is uncertain as Alf Stockman did not usually make screen prints and it may be by one of his students, after his style.
c1985 - 58 x 58 cm

Original screenprint in a distressed white painted and gilt frame, glazed. Unsigned, but with a printed label stating this to be: Under the sun brolly by Alf Stockham, Lecturer at UWE. About 1985, an experimental print. 580 x 580 mm overall; 450 x 450 mm image.

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Ref 39533 : £25


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Shooting scene.
Print highlighted with oil, signed Arthur A Warre (?) and dated 1906.
1906 - 28.5 x 22.5 cm

Smoke swirls from the barrel of the shotgun. A bird is brought down, three hunting dogs are on alert. Framed in a wide walnut veneered frame. Image 185 x 125 mm; overall size including frame 285 x 225mm.

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Ref 39799 : £12


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Short-eared Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39209 : £12


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Skye and the Cuillins, Across to
Limited edition 70/80. Signed in pencil. 660 x 520 mm overall.
c1935 - 66 x 52 cm

Lithographed print by well known Scottish artist Robert Houston. Generally in good condition though toned verso.

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Ref 38039 : £5


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Snowy Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39212 : £12


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Somerset. Clevedon from the Rocks.
Rare antique hand coloured engraving by Newman & Co. 48 Watling St. London. Pub. by Thomas Coleman, chemist, of Clevedon.
c1840 - 32 x 25.5 cm

Framed and glazed in a gold and green frame with a double bevelled mount featuring triple hand rulings. Mount window 170 x 105 mm. Size overall 320 x 255 mm. Although the paper a little toned it appears in very good condition but not examined out of the frame. The only reference I have found to this work is on the website of the Yale Center for British Art, in the USA. Is this a later reduction from: Six views in Clevedon: and its neighbourhood? Hand-coloured Lithographs, c1840. Abbey, J.R. Scenery, 99, which is described as “Oversize”.

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Ref 39953 : £25


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Somersetshire. Chedder (Cheddar) Cliffs
A striking antique print a dramatic view down the Gorge. Originally produced for the part-work Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views (London: 1829-1831).
1829 - 27.5 x 34 cm

Publisher: Jones & Co. London, 1829. This original steel engraving with later subtle hand colour is in an ivory bevelled mount with gold and coloured rulings within a gilt frame. Mount window 110 x 170 mm; frame 275 x 340 mm overall. Appears in very good condition but not examined out of the frame. Please see images.

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Ref 39933 : £15


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Soper: Rats
Original unique drawing by Eileen Soper from her sketchbook and which was used in her wildlife books. It finally appeared in her book, edited by Duff Hart-Davis, entitled Badgers and which was printed in 1992.
1950s - 18 x 14 cm

This original sketch of two rats which had been stealing the food put out for badgers, is from the sketchbook of Eileen Soper. Although unsigned its provenance can be assured as it is to be seen on page 86 of her book. Sheet size 142 x 70 mm and mount window 95 x 55 mm. Overall 182 x 140 mm. This piece from her sketchbook has a few small spots near the lower edge and some damage which does not show in the mount window.

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Ref 39825 : £20


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Spotted Eagle
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39203 : £12


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Surrey. Esher, Bear Inn.
Lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram
c1893 - 32.5 x 28.5 cm

Hand coloured antique lithograph. It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 140 x 110mm, frame overall: 325 x 285mm. Appears in good condition but not examined out of the frame.

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Ref 37761 : £10


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Surrey. Esher, The Old Church.
Hand coloured antique lithograph by Herbert Railton from Coaching Days and Coaching Ways by W. Outram Tristram.
c1893 - 29 x 35 cm

It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 120 x 165mm, frame overall: 290 x 350mm. Appears in very good condition but not examined out of the frame.

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Ref 37762 : £10


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Surrey. Esher, The Remaining Tower of Cardinal Wolsey's Palace.
Drawn by W. Havell, 1827.Sketch by T Loft, 1827. Engraved by George Cooke, 1827. Published by Longman & Co., J. and A. Arch, Carpenter & Sons, & G. Cooke, London, for Cooke's Views in London and its Vicinity 1826-34.
1827 - 26.5 x 23.5 cm

Hand coloured engraving. It shows the tower but in the foreground a crow observes farming folk possibly turning the hay while sheep tuck in and cattle graze nearer the river or lake. The print is in a Hogarth frame, glazed. The bevelled ivory mount has a window size: 170 x 140mm, frame overall: 265 x 235mm. Appears in good condition except for a couple of spots near the title but not examined out of the frame.

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Ref 37759 : £10


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Surrey. Esher, Wainflete's Tower.
Hand coloured steel engravings from A Topographical History of Surrey by Brayley Edward Wedlake, 1841/8. Drawn by T Allom and engraved by Flemming.
c1845 - 25.2 x 34 cm

Shewing the Principal Front & As seen from the opposite Meadow. Both views on single sheet. In a ruled bevelled deep cut mount in a Hogarth frame. Mount window size: 165 x 240mm, frame overall: 255 x 340mm. Appears in good condition but not examined out of the frame.

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Ref 37763 : £12


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Surrey. Esher, Wolsey's Well.
Drawn by D Harding and engraved by G. Cooke. London, Published by Longman & Co., J. and A. Arch & G. Cooke, in Cooke's Views in London and its Vicinity, 1826-34.
c1830 - 21 x 24.5 cm

Steel engraving with hand colouring in an ivory bevelled mount within a Hogarth frame. Mount window size: 100 x 140mm, frame overall: 210 x 245mm. Appears in very good condition but not examined out of the frame.

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Ref 37758 : £12


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Surrey. Thames Ditton Church, 1.
London: John Harris, 1812. Engraved by C. Pote from an original study by the landscape artist John Preston Neale, 1780-1847. Originally produced for the part-work: Beauties of England and Wales, 1801-1816.
1812 - 28 x 24 cm

A pleasing antique hand coloured copper line engraving of the parish church of St. Nicholas at Thames Ditton, with its wooden belfry. In a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 150 x 105mm, frame overall: 280 x 240mm. Appears in very good condition but not examined out of the frame.

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Ref 37756 : £12


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Surrey. Thames Ditton, The Swan, 1.
Wood engraving
c1870 - 28 x 24 cm

View from the other bank of the river also showing the very large house next door and the slipway from the inn with several row-boats and one in use with a family aboard. At the other bank are skiffs and punts. Finely hand coloured wood engraving in a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 95 x 75mm, frame overall: 280 x 240mm. Exact date unknown but probably second half of the 19th century and before the Billiard Saloon was built which is to be seen in prints from the 1880s. Appears in very good condition but not examined out of the frame.

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Ref 37750 : £10


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Surrey. Thames Ditton, The Swan, 2.
Lithographic print from the Edwardian Highways and By-ways in Surrey.
c1908 - 26.5 x 25 cm

A fine hand coloured lithographic print of Hugh Thomson's delicate drawing. It is set in a multi-ruled bevelled ivory mount within an attractive gilt frame. Mount window size: 95 x 80mm, frame overall: 265 x 250mm. Appears in very good condition but not examined out of the frame.

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Ref 37751 : £10


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Surrey. Thames Ditton, with a house on the river s edge.
Hand coloured copper engraving by H.J. Ormsby after Seymor s original work.
C19th - 28 x 24 cm

Note the loads being lifted over the wall from one of the two covered boats, the ducks splashing in the water and the caged bird by the window. In a gilt-ruled bevelled ivory mount in an attractive gilt frame. Mount window size: 120 x 80mm, frame overall: 280 x 240mm. Appears in very good condition but not examined out of the frame.

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Ref 37755 : £12


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The Pink Orchard, 1888 by Van Gogh

C20th. - 30.5 x 20.5 cm

Watercolour copy of this famous painting, shown as it would be in a mount. On card 305 x 205 mm; image 170 x 140 mm.

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Ref 39982 : £9


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Unknown bloom
Lithograph (?) with hand colouring. Unknown provenance but the paper has the famous J Whatman watermark in paper that could be early 20th century.
c1900? - 23 x 28 cm

As you see I cannot tell you much about this elegant flower print. In a bevelled light-grey mount. Mount window size: 130 x 190mm, mount overall: 230 x 280mm. In very good condition.

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Ref 37774 : £7


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Watercolour.
A H P July 1806
1806 - 14.5 x 23.5 cm

Original antique watercolour of this wildflower specimen, signed and dated verso.

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Ref 39916 : £15


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Watercolour. Fishermen in their boat.
Original watercolour of a Mediterranean scene by L. Berendsen. Dating from the 1980s.
Late C20th - 75 x 63 cm

In a wooden frame, gilt and coloured and with a dual bevelled ivory mount. Mount window 570 x 440 mm; frame 750 x 630 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39918 : £30


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Watercolour. Fuchsia
By E A Dixon-Fisher. In very good condition.
c1981 - 27.5 x 33.5 cm

Original watercolour by E A Dixon-Fisher, on Genuine Saunders Mould Made Paper faced with colour drawing board, signed. In an ornate, gilt frame, glazed. Overall size 275 x 335 mm.

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Ref 39852 : £28


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Watercolour. Gloxinia
A superb and strong botanical watercolour by very good artist and in very good condition. Such high quality botanical works are necessarily expensive because of the time taken to record exactly the details of the plant.
1987 - 46 x 61 cm

Original large watercolour by Kathleen Hindle shown at the Annual Exhibition of the Society of Botanical Artists in 1987, then priced at £110. Overall size 460 x 610 mm; mount window 320 x 450 mm. Framed and glazed. The frame being of wood with a gilt inner edge and a green card mount within.

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Ref 39851 : £125


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Watercolour. Golden Oriole male on branch by nest with female sitting.
Original watercolour with pen and pencil. Signed E. StB. S. and dated 1919. 160 x 225 mm overall; mount window 110 x 160 mm.
1919 - 16 x 22.5 cm

A nice image with title and a scale in a small mount. In very good condition.

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Ref 38043 : £15


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Watercolour. Hydrangea Villosa with butterfly.
Helen C Babington, Somerset artist. Flourished 1976-1990. Painted multiple British wildlife works for the Medici Gallery from which a series of postcards was produced.
1976 - 24 x 32 cm

Finest quality original watercolour botanical painting. 205 x 280 mm on art board, in pale green bevel cut oval mount 240 x 320 mm. Titled, dated 1976 and signed. Very fine condition.

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Ref 39860 : £35


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Watercolour. Male and female dancers.
Original watercolour of a Mediterranean scene. Signed: L. Berendsen and dating from the 1980s.
Late C20th - 27.5 x 33 cm

In a smooth gold frame with a bevelled ivory mount. Mount window 150 x 205 mm; frame 275 x 330 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39923 : £12


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Watercolour. Mountain and lake scene.
On the location of the painting it could be said to resemble Skiddaw above Derwent Water. The quality of the painting is good and the end result is a light and sunny work that will delight its owner.
c1900 - 49.5 x 40 cm

Watercolour described by the auctioneers as a late nineteenth or early twentieth century view of the Lake District. The watercolour has been laid down and on the backing board is the name S. Coleman, in pencil. I have not found an artist of that name whose style and dates would appear to match that of this work. In a hand-ruled and colour wash bevel cut mount which, like the painting itself, is in very good condition. Mount window 370 x 270 mm; overall size 495 x 400 mm.

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Ref 39856 : £39


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Watercolour. Pond with yuccas reflecting a palm tree.
Original watercolour of a Mediterranean scene. Signed: L. Berendsen and dating from the 1980s.
Late C20th - 62 x 52 cm

In a smooth gold frame with a bevelled ivory mount. Mount window 480 x 375 mm; frame 620 x 520 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39921 : £25


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Watercolour. Primula Vulgaris and Viola Odarata.
Helen C Babington, Somerset artist. Flourished 1976-1990. Painted multiple British wildlife works for the Medici Gallery from which a series of postcards was produced.
1990 - 25.5 x 30 cm

Finest quality original watercolour botanical painting. 158 x 228 mm on art paper, in hand ruled bevel cut ivory mount 255 x 300 mm. Titled, dated1990 and signed. Framed and glazed. Very good condition save for some very faint spots.

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Ref 39861 : £30


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Watercolour. Prunus Ukon Serrulata and Prunus Kanzon Hisakura.
Helen C Babington, Somerset artist. Flourished 1976-1990. Painted multiple British wildlife works for the Medici Gallery from which a series of postcards was produced.
c1976 - 25 x 45 cm

Finest quality original watercolour botanical painting. 265 x 365 mm on art board, in pale green bevel cut mount 350 x 450 mm. Titled and signed. Framed and glazed. Very fine condition. Spoiled pencil sketch verso (see images).

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Ref 39859 : £50


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Watercolour. Stone arched bridge over a river.
Original nineteenth century watercolour painting by an unknown artist
C19th. - 43 x 31.5 cm

Attractive and well executed watercolour. Cattle are drinking in the water watched by a man with a stick. Three people are walking over the bridge and the whole scene is overlooked by trees in leaf that is just starting to acquire autumn tints. In an old mount 430 x 315mm overall; mount window 325 x 215mm. In very good clean condition.

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Ref 38030 : £35


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Watercolour. Stone buildings, yuccas and trees
Original watercolour of a Mediterranean scene. Signed: L. Berendsen and dated '85.
Late C20th - 51 x 62 cm

In an antiqued gilt and coloured frame with a dual bevelled ivory mount. Mount window 285 x 385 mm; frame 510 x 620 mm overall. Frame is slightly rubbed along the lower element; the painting is in very good condition but not examined out of the frame.

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Ref 39919 : £20


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Watercolour. Sunny courtyard and steps.
Original watercolour of a Mediterranean scene. Signed: L. Berendsen and dating from the 1980s.
Late C20th - 33 x 39.5 cm

In a smooth gold frame with a bevelled ivory mount. Mount window 170 x 230 mm; frame 330 x 395 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39922 : £15


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Watercolour. The Squall Passes.
Signed I. E. Crowther. 505 x 415 mm overall; sheet 385 x 275 mm. Shown as in a mount with window 345 x 255 mm.
First half 20th century. - 50.5 x 41.5 cm

Original watercolour laid down on card. Atmospheric painting of hills under a lowering sky.

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Ref 38037 : £22


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Watercolour. Tranquil lake with boats.
Original watercolour of a Mediterranean scene. Signed: L. Berendsen and dating from the 1980s.
Late C20th - 27 x 33.5 cm

In a smooth gold frame with a bevelled ivory mount. Mount window 115 x 160 mm; frame 270 x 335 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39924 : £12


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Watercolour. Villa in the middle distance surrounded by trees.
Original watercolour of a Mediterranean scene by L. Berendsen. Dating from the 1980s.
Late C20th - 63 x 53 cm

In a smooth gold frame with a bevelled ivory mount. Mount window 440 x 325 mm; frame 630 x 530 mm overall. Frame and painting in very good condition but not examined out of the frame.

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Ref 39920 : £25


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White Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39214 : £12


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Windsor Castle and the River Thames
Original watercolour by Victorian amateur.
19th century - 38 x 32 cm

A little spotting, mainly in the sky, otherwise in good condition. In a bevelled ivory mount. Mount window size: 265 x 220mm, mount overall: 380 x 320mm.

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Ref 37770 : £8


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Woodland River Scenes
A. R. Williams, signed.
c1900 - 30 x 23.5 overall cm

Pair of watercolours of woodland river scenes, possibly from North Wales where A. R. Williams was known to work around 1900. Nicely framed and glazed in 1987 with double bevelled mounts in a style reflecting that of the late Victorian era. Mount window 180 x 122 mm; overall size including frame 300 x 235 mm.

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Ref 39792 : £16


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Wrington, Somersetshire. Birthplace of John Locke.
Locke was philosopher and physician, widely regarded as one of the most influential of Enlightenment thinkers and commonly known as the Father of Liberalism.
c1850 - 23.5 x 22 cm

Original antique steel engraving. Drawn and engraved for Dugdale’s England & Wales Delineated, c1850. It is in a Hogarth frame and a bevelled grey mount. Mount window 120 x 95 mm; frame 235 x 220 mm overall. Print appears in good condition if a little toned but the frame is a little cracked and chipped and has lost a strip of moulding from the lower edge. Not examined out of the frame. Please see images.

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Ref 39946 : £8


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The list of 202 items in category ORIGINAL ART & FRAMED PRINTS has been split into 4 sections. This is section 4.

  > Section 1 > Section 2 > Section 3 > Section 4
http://www.theoldmapman.com/prints/artprints.htm made on 13-Aug-18 at 09:35:34