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This page is for artist printed images, framed and glazed prints, those in large mounts and also original artworks. They will include etchings, aquatints, lithographs, woodcuts and engravings on wood, copper and steel and also drawings, watercolours and oil paintings. Note: the headline dimensions are the overall dimensions of frame or mount as applicable.

BIG PRICE REDUCTIONS TO ALMOST EVERY ITEM IN THIS SECTION, SOME AS MUCH AS 50% OFF!

PLEASE DO NOT USE THE ADD TO CART BUTTONS FOR THIS PAGE BUT CONTACT ME USING THE EMAIL BELOW TO AGREE THE COURIER COST AS THE FRAMED AND GLAZED ITEMS MAY BE SENT BY ROYAL MAIL SPECIAL DELIVERY FOR SAFETY. VERY LARGE ITEMS MAY BE SENT BY PARCELFORCE EXPRESS48. COLLECTION IS POSSIBLE & GETS AN AUTOMATIC 15% DISCOUNT. GLAZED ITEMS WILL NOT BE SENT OUT OF THE UK BUT WORKS MAY BE REMOVED FROM THE FRAMES FOR SHIPPING

Email: don@theoldmapman.com

Some of the photographs of glazed items show reflections and stray colours for which I apologise!

Artists include: FREDERICK CHRISTIAN LEWIS SNR (1779-1856), was an eminent painter, etcher, aquatint and stipple engraver. Lewis transformed numerous natural history paintings into aquatints. His superlative skills as an engraver led to frequent commissions from Royalty, and to his contribution to J. M. W. Turner's Liber Studiorum, a collection of seventy-one etchings with mezzotint, which greatly influenced landscape painting. Apart from the River Dart volume he produced a similar volume on the Exe. As the frames have been scratched buyers may prefer to have the etchings sent in their mounts alone. Postage costs will then be reduced. None of these etchings have been examined out of the frames.

ROBERT HILLS (1769-1844). English Painter & Etcher. He exhibited six or seven drawings annually at the Royal Academy and was a member of the Society of Water-colours. His favourite subjects were cattle, sheep, donkeys, pigs, horses and above all deer. The British Museum holds the artist's collection of his own etchings, over 1200 of the finest impressions and proofs.

HERBERT RAILTON. (1857-1910). I have added a score of the ORIGINAL SIGNED ARTWORK DRAWINGS in pen & ink on card by Herbert Railton for: EDINBURGH - A Historical and Topographical Account of the City, Written by M. G. Williamson. Methuen, 1906. After his drawings of a railway accident at Blackburn station (1881) were published in the Illustrated Sporting and Dramatic News, Railton went on to become one of the leading illustrators of his day. Railton provided many black and white illustrations for magazines and books - including editions of books by famous authors such Oliver Goldsmith, Henry Fielding, Samuel Johnson and travel guides, such as Coaching Days and Coaching Ways. Despite my best efforts, the images of these Railton drawings do not adequately show the contrast between the black ink and the white board.


The list of 224 items in category ORIGINAL ART & FRAMED PRINTS has been split into 5 sections. This is section 3.

  > Section 1 > Section 2 > Section 3 > Section 4 > Section 5



Hawking - The Departure; The Rendezvous; The Fatal Stoop; Disgorging,
After Francis Calcraft Turner. This set, issued by Messrs Laird, is believed to be the original issue. See below.
19th century - 51.5 x 65 cm

The set of 4 very large 19th century aquatints printed in colours and finished by hand, heightened with gum-arabic, were engraved by Richard Gilson Reeve, after the paintings of Francis Calcraft Turner and published by I W Laird. Dedicated to His Grace William Aubrey de Vere Beauclerk, Duke of St Albans, Hereditary Grand Falconer of England. n.d. Each sheet size 515 x 650 mm; plate size 400 x 513 mm; engraved area 310 x 460 mm. In very good condition. Close up views & backing boards for framing available. Originally issued in 1839 by Messrs Laird with this dedication and so believed to be the first issue. Later re-issues were engraved “published by J. McCormick”.

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Ref 39791 : £140


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Haystacks in Provence, 1888 by Van Gogh

C20th. - 27 x 20 cm

Watercolour copy of this famous painting, shown as it would be in a mount. On card 270 x 200 mm; image 185 x 140 mm.

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Ref 39981 : £9


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Hereford Cathedral from the River
Original sepia toned etching by Peter Graham (1836-1921). The picture is signed in pencil bottom right corner.
c1910 - 36 x 28.5 cm

Fine view of the Cathedral and surrounding buildings with the trees in full leaf. In an old hand ruled bevelled mount, 360 x 285mm overall; mount window 225 x 180mm. Good condition save for some matt burn. Peter Graham was a Scottish landscape, cattle and coastal painter who exhibited 67 times at the Royal Academy. He became a member of the Royal Academy in 1881.

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Ref 38023 : £15


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Humour. Gallantry
Wood engraving from John Leech pictures of life and character.
c1860 - 20 x 25 cm

The hand coloured wood engraving features a lady picking up her own fallen bouquet while her beau stands looking through a monocle. In a double bevelled mount within a brown and gilt frame, glazed. Mount window size: 85 x 115mm, frame overall: 205 x 265mm. Appears in good condition but not examined out of the frame.

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Ref 37765 : £8


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Hunting.
Four antique hunting engravings in silver aluminium box frames, glazed.
1870 - 44 x 30 cm

Sheldon-Williams & C. Hunt. Published by J. McQueen, London & Paris. Going to Cover. March 2nd 1870. The Find - Tally ho aw ay-o – o! (sic). March 28th1870. The Finish - Hi! Into Him. March 2nd 1870. The Return Home - Dulce Domum. March 2nd 1870. Mount windows 320 x 170 mm; frames 440 x 300 mm overall. The engravings are somewhat toned.

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Ref 39993 : 


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Ireland, County Antrim. Carrick-a-Rede
Engraved by John Cousen (1804-1880) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40096 : £15


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Ireland, County Antrim. Dunkerry Cave
Engraved by Robert Brandard (1805-1862), from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 32 x 28.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40092 : £15


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Ireland, County Antrim. Dunluce Castle
Engraved by John Cousen (1804-1880) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40095 : £15


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Ireland, County Antrim. Dunseverick Castle
Engraved by Robert Wallis (1794-1878) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 32 x 28.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40094 : £15


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Ireland, County Antrim. Fairhead
Engraved by Robert Brandard (1805-1862), from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame.

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Ref 40099 : £15


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Ireland, County Antrim. Kenbane Castle
Engraved by Charles Richardson (fl.1835-1842) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 32 x 28.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 155 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40093 : £15


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Ireland, County Antrim. Pleaskin Cliff, near the Giants Causeway
Engraved by Joseph Clayton Bentley (1809-1851) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40098 : £15


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Ireland, County Antrim. Scene on Giants Causeway
Engraved by Robert Wallis (1794-1878) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 32 x 28.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed. with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 200 x 160 mm; frame overall 320 x 285 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40091 : £15


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Ireland, County Antrim. The Giants Causeway from above
Engraved by Samuel Bradshaw (1810-88) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having quintuple hand rulings with wash infill. Mount window 190 x 155 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Please ignore the reflection of the camera in the image.

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Ref 40100 : £15


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Ireland, County Fermanagh. Devenish Island
Engraved by James Charles Armytage (1802-1897) from an original study by the well-known William Henry Bartlett (1809-1854), originally produced for the Bartlett part-work The Scenery and Antiquities of Ireland (London: George Virtue, 1840-1842).
1840-42 - 31 x 27.5 cm

Steel line engraving on paper. Later hand colour. In a Hogarth frame, glazed, with a bevelled ivory mount having triple hand rulings with wash infill. Mount window 195 x 150 mm; frame overall 310 x 275 mm. Looks to be in good condition but not examined out of the frame. Title not visble in the mount window. Please ignore the reflection of the camera in the image.

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Ref 40097 : £15


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Ireland. Galway, Pass of Salruc.
Hand coloured antique steel engraved print by Edward Radcliffe, (1809-1863), engraver. After E W Fairholt s drawing from the original picture by Thomas Creswick (1811-1869). Published by Jeremiah How, 132 Fleet St., London between 1820 & 1870.
Mid C19th - 22.5 x 27 cm

In ivory and gold frame with ivory ruled mount. Mount window size: 280 x 205mm, frame overall: 225 x 270mm. Appears in excellent condition but not examined out of the frame.

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Ref 37764 : £9


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Isle of Wight. Carisbrooke, entrance to the village from Newport and the castle keep.
Drawn & Engraved by George Brannon
1820 - 41 x 33 cm

Original antique hand coloured engraving framed and glazed with an ivory bevel cut mount. Mount window 215 x 150 mm. The frame is black & gilt in very good condition. Not examined out of the frame.

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Ref 39702 : £18


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Isle of Wight. Newport.
Drawn & Engraved by George Brannon
1830 - 35 x 27 cm

Original antique hand coloured engraving framed and glazed with a hand-ruled wine colour bevel cut mount. Mount window 245 x 175 mm. The Hogarth frame is black & gilt in good condition; the mount is a little faded and has a very slight matt burn around the margins. Not examined out of the frame.

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Ref 39701 : £20


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Isle of Wight. Wootton Bridge & Fernhill.
Drawn & Engraved by George Brannon
1831 - 38 x 31 cm

Original antique hand coloured engraving framed and glazed with an ivory bevel cut mount. Mount window 260 x 180 mm. The frame is black & gilt in fairly good condition. Not examined out of the frame.

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Ref 39700 : £16


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Italian Sea Coast
Inscribed Montullo .
C19th, 2nd half - 30 x 20 cm

Original antique gouache painting of the Amalfi Coast (?). In antique but marked gold bevelled mount. Mount window 210 x 95 mm; mount approx 300 x 200 mm.

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Ref 39974 : £15


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Italian Sea Coast
Was a pair with another similarly sized work inscribed Montullo.
C19th, 2nd half - 30 x 20 cm

Original antique gouache painting of the Amalfi Coast (?). In antique but bubbled gold bevelled mount. Mount window 210 x 95 mm; mount approx 300 x 200 mm.

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Ref 39975 : £15


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Italy. Cathedral at Bari, Southern Italy
Sydney Maher ??
1920 - 28 x 53.5 cm

Original etching in a bevelled ivory mount. Signed by the artist in pencil in the margin. Mount window 175 x 365 mm. Working Proof.

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Ref 39494 : £10


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Jer-Falcon
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39206 : £12


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Kite
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39205 : £12


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Lake District. Ullswater.
Henry G. Walker. Signed in Pencil.
Early 20th century - 48 x 37 overall cm

Landscape with figures including shepherd, his collie and a flock of sheep. Original coloured Soft Ground Etching. Paper a little toned. Framed and glazed. Bevelled mount with gold hand ruling. Frame 480 x 370mm; engraved area 320 x 205mm. Not examined out of frame. Gilt frame has tiny chip from one corner and some marks from its age. Henry George Walker, 1876-1932, was born in Birmingham and attended Birmingham Municipal School of Art between 1897 and 1901. He owned his own design studio in 1907 and produced many polychrome and monochrome etchings in the early 1920s.

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Ref 39786 : £36


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Larry: Herriot Chapter 10
I saw your landing, he said. Delightful, quite delightful.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39836 : £39


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Larry: Herriot Chapter 12
I rolled the little animal on his back and then laughed.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39838 : £39


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Larry: Herriot Chapter 13
I call him Digger because he s dug large holes in the garden ever since his puppy days.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39839 : £39


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Larry: Herriot Chapter 14
the big cow .lowered her head and gently nudged him back in again.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39840 : £39


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Larry: Herriot Chapter 15
She was standing with the packet in her hand, scooping the contents into her mouth with a spoon.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39841 : £39


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Larry: Herriot Chapter 17
I was whispering lovely things into Lydia s ear, the next second I grabbed her, threw her off the couch and out of the French window.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39843 : £39


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Larry: Herriot Chapter 18
The vaccine they use for babies is made from the cow pox virus. You carried it from the baby to the cow.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39844 : £39


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Larry: Herriot Chapter 19
I looked around me at the heap of boots, the piled mounds of shirts .proof that the RAF was finding me a bit of a problem.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39845 : £39


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Larry: Herriot Chapter 20
.a man pushing a pram .on a lonely moorland road, the sight merits a second glance. Especially when the pram contains a large dog.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39846 : £39


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Larry: Herriot Chapter 21
I located it at last. Just like the door of an ordinary house with a faded wooden sign hanging above it.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39847 : £39


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Larry: Herriot Chapter 23
She was twice ejected from meetings of the Rural District Council who did not seem to relish the idea of a cat sitting in on their deliberations.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39849 : £39


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Larry: Herriot Chapter 24
I took a fresh grip on my cardboard case, turned towards the exit from the square and set off, left-right, left-right
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39850 : £39


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Larry: Herriot Chapter 4
Skipper started on the big dog s ear dragging the massive head down to one side.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

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Ref 39830 : £39


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Larry: Herriot Chapter 5
For a long time little Mrs Pilling was going to give her husband pure hell.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39831 : £39


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Larry: Herriot Chapter 6
Len was lying unconscious face down across the cow s body.
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39832 : £39


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Larry: Herriot Chapter 9
He barked, Mr Herriot! Joshua barked!
1977 - 21 x 24 cm

Original pen & ink drawing by Terence Larry Parkes, 1927 – 2003, for James Herriot’s Vet in a Spin, 1977. This unique drawing by Larry was created as the chapter head illustrating a moment in the narrative from one of James Herriot's memorable books on the life of a Yorkshire vet. Principal mount window 135 x 135 mm.

Larger image
Ref 39835 : £39


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Lincoln from the Castle.
A finely engraved early 19th century view of Lincoln Cathedral, as seen from the castle
c1836 - 24 x 21.5 cm

Original antique steel engraving with later hand colour which was drawn by Thomas Allom and engraved by F. J. Havell, and published in Thomas Allom's The Counties of Chester, Derby, Nottingham, Leicester, Rutland, & Lincoln Illustrated. (London: Fisher & Son, 1836 / 1837). c.1836. Gilt frame with bevelled mount. Multiple hand rulings with wash. Mount window 130 x 100 mm. Frame 240 x 215 mm overall. Looks to be in very good condition but not examined out of the frame.

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Ref 39998 : 


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Lincolnshire. Great Ponton Dallygate. The Holy Cross.
Large finely coloured lithographic view of late 13th century church. The tower dates from 1519.
1853-1859. - 28 x 45 cm

From The Spires and Towers of the Medieval Churches of England by architect Charles Wickes and published in London by William Mort Thompson, 32 Sackville Street and Ackermann and Company, 96 Strand. 1853-1859. In a gilt frame with a bevelled mount having double gold hand rulings. Mount window 160 x 320 mm; frame overall 280 x 450 mm. Looks to be in very good condition but not examined out of the frame.

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Ref 40003 : 


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Lincolnshire. Stamford. All Saints Place and Church.
Very large finely coloured lithographic view from all Saints Place with people, dogs and a horse and cart.
1853-1859. - 44 x 68 cm

A fine view by architect Charles Wickes and published in London by William Mort Thompson, 32 Sackville Street and Ackermann and Company, 96 Strand in The Spires and Towers of the Medieval Churches of England. In a gilt frame with a bevelled mount having double hand rulings. Mount window 280 x 510 mm; frame overall 440 x 680 mm. Looks to be in very good condition but not examined out of the frame.

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Ref 40002 : 


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Little Owl
Rev. F. O. Morris - A History of British Birds.
Late C19th - 26 x 33.5 cm

Original antique print hand coloured as issued. Professionally framed and glazed in Arquati moulding. Overall size 262 x 335mm, mount window 130 x 185mm. Ready to hang on the wall!

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Ref 39215 : £12


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Loch Katrine
Henry G. Walker. Signed in Pencil.
Early 20th century - 48 x 37 overall cm

Landscape with the loch including shepherd with his collie driving a flock of sheep. Original coloured Soft Ground Etching. Paper a little toned. Framed and glazed. Bevelled mount with double gold hand ruling. Wooden frame 480 x 370 mm; engraved area 322 x 208 mm. Not examined out of frame. Henry George Walker, 1876-1932, was born in Birmingham and attended Birmingham Municipal School of Art between 1897 and 1901. He owned his own design studio in 1907 and produced many polychrome and monochrome etchings in the early 1920s.

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Ref 39987 : £36


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Loch Ridden, Kyles of Bute
Henry G. Walker. Signed in Pencil. Remains of old label verso claiming it to be one of a strictly limited edition of Artist s Signed Proofs in colour and that he is Member of the Faculty of Arts!!
Early 20th century - 48 x 37 overall cm

Landscape with the loch including shepherd sitting smoking, his collie and a flock of sheep. Original coloured Soft Ground Etching. Paper somewhat toned. Framed and glazed. Bevelled mount with double gold hand ruling. Wooden frame 480 x 370 mm; engraved area 320 x 205 mm. Not examined out of frame but there is a small stain in the margin lower right. Henry George Walker, 1876-1932, was born in Birmingham and attended Birmingham Municipal School of Art between 1897 and 1901. He owned his own design studio in 1907 and produced many polychrome and monochrome etchings in the early 1920s.

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Ref 39986 : £36


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London. Billingsgate & Royal Exchange.
Artist and engraver unknown
Mid C19th - 20.5 x 37 cm

Pair of 19th century hand coloured engravings from an unknown source. In a gilt ruled ivory bevelled mount with each mount window size: 75 x 100mm, frame overall: 205 x 370mm. Appear in fair condition with toning around the window edges. Not examined out of the frame.

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Ref 37743 : £8


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The list of 224 items in category ORIGINAL ART & FRAMED PRINTS has been split into 5 sections. This is section 3.

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http://www.theoldmapman.com/prints/artprints.htm made on 29-Nov-18 at 14:17:36